Update to the story below as of 1720h PST: The San Jose Mercury News is reporting that with 9800 ballots remaining, Measure B has passed the 66.67 percent mark.

The ballot initiative to fund a BART extension to San Jose may have squeaked by, KNTV was reporting this afternoon. Though initial balloting showed the measure falling short of the required two-thirds majority, mail-in ballots are turning the tide.

With 17,000 of 42,000 mail-in ballots still to be counted, the vote to fund the 22-mile BART extension with a 1/8-cent Santa Clara County sales tax was 66.61 percent yes; the measure, like any tax increase in California since the 1978 passage of Proposition 13, requires at least a 66.67 percent yes vote.

If the Bart-to-San Jose tax passes, it would complete a surprising trifecta of voter support for mass transit projects at a time when local and state budgets are tight. Earlier this month, voters in Marin and Sonoma Counties passed a rail initiative, and statewide Proposition 1A also passed, kicking off the state’s bullet train project.

I think the second (okay, well, third) weekend in November should be officially declared San Francisco’s Too Damn Many Film Festivals All At Once Weekend. Like a complete chump, I forgot to post about one of them in time for the opening: 3rd I South Asian Film Festival, which is pretty much how it sounds. This is their sixth time out. Check out the schedule here, and get your tickets here.

Tonight’s feature, screening at 8:30 PM, is called Kissing Cousins, and if I didn’t have a prior engagement, I’d drive out to the Brava tonight just to gaze at Rebecca Hazlewood on screen (pictured above with Samrat Chakrabarti at left) for 99 minutes. Although such devotion might be a little weird, since she’ll be there, along with producer Manish Goyal and director Amyn Caderali, one of the Bay Area’s own. Here’s the story, as told by Christopher Au:

Amir (Chakrabarti) is a professional heartbreaker. Except, he hasn’t dated any of the unfortunate souls with whom he breaks up—he’s just the hired messenger who bears the bad news. And for an additional fee, he can even get your stuff back! As his friends begin to couple up, get married and settle into new homes, they wonder if bachelor Amir will ever let his hardened heart fall in love.

When Amir’s gorgeous British cousin Zara (Rebecca Hazlewood, ER) visits him in Los Angeles, she fools his friends into thinking that she’s his girlfriend. But as Amir spends more time with Zara, she opens him up to feelings that have lay dormant for far too long. How long can they keep up this ruse of faux-love? Or will they become more than “just cousins”?

The rest of the schedule is pretty great too: it includes a wide range of documentaries; a screening of Om Shanti Om; A Throw of Dice, which is a 1929 silent film involving eastern splendor and torrid passions (what else?); and most irresistably, Hell’s Ground, which is best described as a Pakistani zombie flick: “They should have listened to the warnings of the creepy old guy at the chai stand a few miles back.” Yesssssss.

Oh yeah, they’re also playing the totally ignored, poorly covered Slumdog Millionaire on Sunday night at the Castro Theatre. Tickets are a bargain at $9 a show.

As I mentioned last week, this weekend is so stuffed full of book events — oddly enough, most of them on Thursday — that this post covers only the next three days. Highlights are Bizarro, Ben Ratliff, Chip Kidd, Opium’s Literary Death Match, and the final SF in SF event for the year. Get all the details after the jump.
Read more

Today and tomorrow, Stacey’s Books is continuing their semi-annual License to Save for Literary License holders (it’s the store card). That’s 20% off anything in stock except periodicals. Now’s your chance to stock up on those Best American anthologies at a discount!

No book events (to my knowledge) are going on tonight.

But tomorrow November 8th is a big day:

First, Kathi Kamen Goldmark will be honored as the recipient of the 2008 Women’s National Book Association Award at the Century Club of San Francisco, in an event from 4:30 to 6:30 PM. Tickets or RSVP (for members) here. Amy Tan will be a guest speaker.

Kemble Scott says of Ms. Goldmark:

It would be tough to find a person who’s contributed more to the local literary scene. Kathi Kamen Goldmark helped launch Litquake, Book Group Expo, and The Rock Bottom Remainders - and her work as a literary escort means she has some of the best author anecdotes in publishing. She’s an accomplished writer and musician herself, making her one of the jewels in the Bay Area’s literary crown. Bravo!

Another event Saturday is at 7:00 PM at Book Bay Fort Mason (Building C). The San Francisco International Poetry Festival presents Vietnamese Poets of the Diaspora. Free event.

Your third option is something involving a little more booze and perversity. If that’s your thing, head out to the Make Out Room (22nd at Mission, don’t act like you’ve never been there) at 7:30 PM for Writers in Drag, featuring Michelle Tea, Austin Grossman, Stephen Elliott, Annalee Newitz and Jaime Cortez. The doorkeepers will exact a teensy-tiny cover charge of $3 to $5.

Sunday the 9th at 3 PM, Glen Park’s Bird & Beckett features Jeff Kaliss discussing his book I Want To Take you Higher: The Life and Times of Sly and the Family Stone. B&B owner Eric says: “Author Jeff Kaliss is a local hero, and for his book he scored the first face-to-face interview Sly has granted in 20 years! He even got Sly to write the intro and George Clinton to write the preface! Don’t miss this one!”

Funny thing, Sly’s been in the news lately. (Thanks for that item, Allan!)

Monday, November 10th has its own slate of literary events to watch out for, including Alison Bechdel (author of Dykes to Watch Out For) at the Booksmith on Haight at 7:30 PM.

Also, Lambda Literary Award finalist Sarah Schulman, author most recently of The Child, will appear at 7:30 at Books Inc. in the Castro.

Note: the John Hodgman/Dave Eggers event at the Herbst Monday night is already sold out, and I’ve been advised that rush tickets are not likely to become available for this one, considering the great fame of both authors. But if you’re a total Hodgman nut, fear not:

John Hodgman will make his next appearance on Tuesday night the 11th at 7:00 PM, at Book Passage in Corte Madera, which is just over the Golden Gate Bridge, at 51 Tamal Vista Blvd. The event is free, and if you show up early enough, you’re likely to get a good seat.

Wednesday the 12th at 7:00 PM, City Lights brings Charles Robinson & Al Young, who offer Jazz Idiom, a book of photography by Robinson and commentary by Young. Knowing these two, it’s bound to be a cool night, and it looks like a beautiful, fun book.

There are so many great events next Thursday and Friday, I’ll have to prepare a special edition of the Word Nerd early next week. Til then!

[Image courtesy Sony Pictures.]

Charlie Kaufman is now well-known as the writer of Being John Malkovich and Eternal Sunshine of the Spotless Mind, but he may soon be better known as the writer-director of Synecdoche, New York (say it out loud: sih-NECK-duh-kee). At least that’s the opinion of Curbed SF blogger Jimmy Stamp, who interviewed Kaufman a short while back for his architecture blog, LifeWithoutBuildings.net. Describing the film as “sublime” and “a piece of work so beautiful, yet so incredibly terrifying that it becomes even more beautiful,” he goes on to liken it to “the ocean seen from the edge of a cliff.” It’s about Caden Cotard (played by Philip Seymour Hoffman), a 40-year-old local theater director in Schenectady, New York (say it out loud: skuh-NECK-tuh-dee) whose marriage and health are rapidly deteriorating. He fears that he will die before accomplishing anything important in his life. But then! He receives a MacArthur Grant, and uses the money to create a massive theater piece — an all-consuming Great Work that will rival life itself in its vastness, complexity, and heartbreaking truth.

Not surprisingly, the interview takes its most interesting turn when they begin discussing the architectural aspects of Kaufman’s work:

Stamp: In your movies, but especially in this one I think, there are these broader architectural and spatial ideas but then you also have these smaller set pieces—the burning house in Synecdoche, the 7 1/2 floor in Malkovich, the Montauk house in Eternal Sunshine. Are these just designed to convey a sense of place, or a mood, or do you always intend them to have deeper, metaphorical meaning?

Kaufman: Yeah. It’s all of that. I find myself really interested in spaces, actually. I tend to think about environment early on in writing. I’m doing it now, actually. I find myself going back to houses or buildings as environments environments for my stories — you know, odd buildings or very specific types of spaces. I don’t know why… a Jungian scholar was in here talking about houses being representations of the self. I think that’s what it was, anyway… you know, I tend to write intuitively and I don’t really know why I do certain things, but they resonate or they feel funny or they feel sad. Um, you know, I have my ideas about why Hazel lives in that house but I don’t really explain that because I want people to be able to bring their own metaphor to the experience. That’s kind of the biggest goal I have — to put something out there and let people individually interact with it. So I try not to say “this is what it means” or “this is not what it means” or “this is what it means to me.”

And check this out from later on:

Stamp: In [Paul Auster's] book, The Music of Chance, this eccentric millionaire hobbyist builds a model of what he calls ‘The City of the World.’ It’s a condensed depiction of his entire life that includes all the important places and pivotal events that made him the man he is— including the construction of the model. So in the model, he’s building himself building the model…

Kaufman: Wow. That sounds great, but I haven’t read that. It does remind me of an idea I had though. I wanted to build a casino in Las Vegas called Las Vegas, Las Vegas. Like the idea of Paris, Las Vegas (the real life casino) is that you don’t have to actually go there — their campaign is something like ‘all the best of Paris without the French people.’ So then (with Las Vegas, Las Vegas,) there’s the idea that you don’t actually have to go to Paris, Las Vegas either because there’s a replica of all of Vegas—including Paris, Las Vegas—within this other casino. So you get even more safe by not having to go out into the strip at all. I thought that would be a pretty successful resort.

Say, aren’t they already planning to do something like that in Dubai?

Anyway. Full interview here; provoked by the trailer for the film, Stamp also wrote this interesting article back in September, on the notion of infinitely-repeating cities.

Synecdoche, New York opens November 7th at the Embarcadero, the Shattuck, and the Piedmont.

You might have slummed it- I did- a period where you just had no cash. I was in Paris (hence the photo) and felt keenly the lack of money and opportunity in a large city. Being an urban dweller we can’t stop ourselves from developing “blinders.” I’m the first to admit it. Friend from Kentucky was walking around the Tenderloin with me, and kept stopping to talk to folks sitting on the pavement, giving them lists of shelters and just listening to their stories. I wasn’t upset at him, just made me realize how we do it, we turn a blind eye. Visitors from Minnesota were really shocked, and I was helping to explain the situation to their daughters- 15 and 11- who hadn’t seen a homeless person in real life, ever. My explanation? A kind of rehearsed, jaded, insidery opinionated rant on Reaganomics in California (they were very conservative Bush supporters) and how in SF it’s “easy to be homeless.” I’m not proud of my rant, but it’s what I felt at the time and is justified historically, and factually, at least. I did keep repeating, “It’s self-medication,” as most of the folks Reagan kicked out of halfway houses were addicts or managing pain and mental issues in their own way. Still, just because it can be explained doesn’t mean it isn’t an issue. Hopefully, with a solution.

My favorite local charity: North Beach Citizens. What’s yours?

This post was inspired by Blog Action Day, if you’re a blogger please contribute by writing about poverty.

I missed it this year, sadly, but just re-read Cormac’s (local writer, online novelist) version and it’s precious. Enjoy.

Note, try to give stuff away and people think that you are handing them the plague. To say it hurts when the junkie panhandlers get more respect and love just feet away from you, is an understatement.

I was sitting on a 45 Union with a writer friend during LitQuake, sharing stories of how we stalked potential agents and other antics, and how sometimes it’s nice to just avoid the scene altogether.

Tomorrow, October 1st, there will be a free event on the Main Library steps from noon until 1:30: the Rally for Banned Books. The event features local authors reading from their favorite banned books. I guess it’s a kind of warm up for Litquake, which starts Friday.

Readers tomorrow will include Tamim Ansary, Justin Chin, Jane Ganahl, Leah Garchik, Kathi Kamen Goldmark, Jewelle Gomez, Kemble Scott, April Sinclair (April Sinclair!), Kevin Smokler, K.M. Soehnlein, and it will be moderated by Jack Hirschman. What a lineup!

It turns out that the last week of September is Banned Book Week. (Amusingly, the press release from the library refers to it once as BBW; somebody should tell them the acronym is spoken for.) Observance of Banned Book Week, which is sponsored by every national book- and library-related organization, is meant to “remind Americans not to take this precious democratic freedom [the freedom to read] for granted,” according to the press release. It goes on: “Banned Books Week celebrates the freedom to choose or the freedom to express one’s opinion even if that opinion might be considered unorthodox or unpopular and stresses the importance of ensuring the availability of those unorthodox or unpopular viewpoints to all who wish to read them. Intellectual freedom can exist only where these two essential conditions are met.”

A cadre of patriotic local Minutemen are supposedly headed to SF’s City Hall steps on Thursday afternoon. They plan a rally in front of the gilded dome where our broke city gov’t spares no expense in it’s quest to ignore Federal statutes regarding immigration law and deportation. Among the speakers will be SF native son Frank Kennedy, the brother in law of the late Anthony Bologna, 48, who was tragically murdered by AK-47 alongside his two sons, Michael, 20, and Matthew, 16 in June of this year. The suspect is a known thug, here illegally, who obviously was a solid candidate for prior deportation.

Scene Outside City Hall during last Minutemen protest on 7/31/08 ( pic by Bill Hackwell of IndyBay.org )

I imagine an afternoon filled with local news camera crews capturing loud & pointless shouting matches between the Minutemen and left wing activists and Mission District “community organizers” ( insert hearty Giuliani-esque guffaw here). Could be fun for people watchers & those with an interest in colorful signs, chanting & loud bullhorns.

The last time the Minutemen assembled here in July, there were far more counter demonstrators than the dozen-ish flag waving border sealing patriots. To see photos of the mob from IndyBay.org, click here.

I’m sure Mayor Newsom will make a point of not being there…
but for everyone else, the fun starts circa 11 am for the amusement of bureaucrats on break and those forced to come to City Hall to plead for a permit or tithe more taxes to the city.

The theme of the two hour Minutemen photo op is

“Protesting innocent American Victims of Illegal Aliens in Illegal Sanctuary Cities!”

Huh? Why are they protesting the innocent victims? What did they do?

Vive Le Rock IV

Vive le Rock continues its run tonight at Mr. Smith’s (34 7th St) starting 8:00 PM, cover charge $7. The show will consist of music from the masterminds behind the series, Oakland’s own Gosta Berling, and the guest band will be The Sleepover Disaster from Fresno, an awesome group that has achieved a certain measure of recognition lately. The music is going to accompany a bunch of presumably funny, morbid films by Waylon Bacon, a local filmmaker who has shown at the San Francisco Underground Film Festival and The Fright Night Film Festival. Or maybe his films are going to accompany the music. Both statements are true. An event page with press release describing the series and tonight’s show in more detail is here on Yelp.